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The black stork, ciconia nigra, is very shy, especially during the spring.Reboots and rediscoverings—the synth, the guitar, the blues, the beard—come and go speedily, flittingly, at the rate of fashion, fashion being nothing but “a machinery for creating cultural capital and then, with incredible speed, stripping it of value and dumping the stock.” back to Sheffield, England, in 1979 to catch a performance by Ian Dury and the Blockheads.(That the Doctor—in this particular episode—mangled his coordinates and ended up in 1879, on a Scottish heath, with Queen Victoria and a werewolf, is strictly incidental.) The floating simultaneity and endless availability of all recorded music, the deadening sophistication of the average listener—these are not spurs to Art.

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Answer these easy questions, and this quiz can help you figure out what your dating style is!They, not Jefferson Airplane, were the future, by which I mean, of course, the past."Everyone knows who the guys are."Would legalizing marijuana curb the epidemic?Synthetic marijuana, also known as K2 or Spice, was long available over the counter in corner stores and head shops, an unregulated, unpredictable chemical substance that physically resembles marijuana.It was not a very good band, its genius fully exhausted by the prophetic clarion that was its name.And, at the very least, it's a fun midday distraction from work.

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The facts—and no one has presented them as clearly as Simon Reynolds—are before us; the fix is in.

Out among the shimmering spires of futurity, on the other side of the retromanic moment, where “pop culture” and “youth culture” have been equally interred by Time, is it conceivable that there might be different ways of selling music, enjoying music, imagining music?

This test is not based on any scientific study whatsoever.

The Myers-Briggs matchmaking for relationships is a popular concept but should be further explored.

We might of course be old farts, Reynolds and I, with old-fart ears and old-fart memories, freaked out by the world that is blossoming at our old-fart fingertips.“It’s glaringly obvious,” Reynolds writes (indisputably in my view), “that all the astounding, time-space rearranging developments in the dissemination, storing and accessing of audio data have not spawned a single new form of music.” The key word in there is data.